The spectacle of a former prominent member of Amnesty International publicly lambasting that institution for its support of foreign despots and serial human rights abusers, should make everyone sit up and take notice.
Gita Sahgal was once a senior official of Amnesty International, heading the International Secretariat’s Gender Unit. That was until she sent an email to Amnesty’s top bosses, suggesting that the organization had mistakenly allied itself with Cage Prisoners , a group led by Moazzem Begg, a former Guantanomo Bay inmate.
“I believe the campaign fundamentally damages Amnesty International’s integrity and, more importantly, constitutes a threat to human rights,” Sahgal wrote in the email of January 30. “To be appearing on platforms with Britain’s most famous supporter of the Taliban, whom we treat as a human rights defender, is a gross error of judgment.”
Within days she was summarily suspended from her position.
For those who might be unfamiliar with his name, Moazzem Begg is an Islamist who insists that the Taliban was the best government available to Afghanistan and who unabashedly promotes its jihadist insurgency. His organization defends Islamists such as Abu Hamza, leader of the mosque that sheltered Richard “Shoe Bomber” Reid , among many other violent and criminal characters who have have nothing at all to do with freedom of expression. Its senior members can also be seen speaking in defense of jihad at rallies sponsored by the extremist groups such as Hizb-ut Tahrir (banned in many Muslim countries) and Tablighi Jamaat.
Going public, Sahgal stated inthe Sunday Times:
” As a former Guantanamo detainee, it was legitimate to hear his experiences, but as a supporter of the Taliban it was absolutely wrong to legitimise him as a partner,”
So what exactly is a nice organization like Amnesty International doing with creeps like this? That is a question I’ve been asking for nearly 20 years.
Many of us in Southern California who listen to Santa Monica-based radio station KCRW, remember how Amnesty International was once held in rather high esteem there. For years Ruth Seymour, the station’s general manager, offered listeners the opportunity each month to provide financial and moral support to one of Amnesty’s Prisoners of Conscience – dissidents who might be rotting away in a foreign jail for no other crime than expressing their right to free speech. Listeners would be urged to write letters to appropriate government officials urging humane, legal treatment of the prisoner or advocating the prisoner’s release.
Nothing wrong with that. In fact, the moral rectitude of AI’s mission was always unassailable: ” to undertake research and action focused on preventing and ending grave abuses of the rights to physical and mental integrity, freedom of conscience and expression, and freedom from discrimination, within the context of its work to promote all human rights.”
But over time, the organization’s very concept of “human rights,” began to expand. Not content to be a mere reporter of crimes committed against individuals, it sought a role in molding events. To reap influence, the leaders of the London based institution decided that “human rights” needed to embrace not simply individual cases of repression but the concept of social justice as well.
So from the early 1990s onwards, Amnesty International, unbeknownst to its global membership, began a surrpetitious slide into shadowy political advocacy, a position that would ultimately align it with the most vile human rights abusers on the planet.
Today it is not only authoritarian despots who conceive of AI as a far left organization with a political agenda, but large numbers of former supporters whose politics have not kept up with AI’s rapid radicalization. The organization’s extraordinary level of animus leveled at the United States; its incessant promotion of Noam Chomsky (infamous for his denials of the Cambodian killing fields, Serbian concentration camps and latter day support for the Taliban); its preference for extolling the virtues of repressive regimes such as Cuba, Myanmar and Zimbabwe and its enthusiastic participation in the 2001 Durban United Nations World Conference Against Racism, an antisemitic hatefest, has underlined the complete erosion of its founding principles in the interests of radical politics.
Thats not to mention its problems with the very existence of the State of Israel. In fact, more energy is given over by Amnesty to its attacks on Israel than any other areas of its activities. In May 2007, NGO Monitor released the results of its quantitative analysis of Amnesty International’s 2006 publications and alerts vis a vis human rights violations. According to the study, Israel had been the subject of 63 such Amnesty documents that year, more than any country in the Middle East except Iran. The corresponding numbers for other nations and notable entities in the region were as follows: Sudan (61 documents), Syria (51), Iraq (29), Hezbollah (20), Algeria (19), Tunisia (15), Egypt (13), Jordan (12), the Palestinian Authority (10), Libya (6), Saudi Arabia (6), and Morocco (5).
Now you wouldn’t know any of this if you lived in London today. Amnesty International’s reputation for dispassionate reporting on human rights abuses is so pristine that it is supported by a host of celebrities from Bono to John Cleese to Yoko Ono. It has innumerable political supporters in Parliament and is regularly lauded and quoted by members of the Labor Party.
Sahgal has already encountered the risks of going mano a mano with such a high profile institution. Doors of famous Amnesty donors have closed on her and friends won’t return calls. She has also experienced considerable difficulty in finding an attorney in London’s extensive civil rights legal community to take on her case. As she says:
“Although it is said that we must defend everybody no matter what they’ve done, it appears that if you’re a secular, atheist, Asian British woman, you don’t deserve a defense from our civil rights firms.”
But for all of that she can be at least proud that she has begun the process of exposing Amnesty’s agenda that has been warranted for so many years. In the process she is fast transforming herself into a true prisoner of conscience, the victim of an intolerant, hypocritical culture that has no patience for dissent within its own ranks.
Maybe even KCRW, having long ago severed its Amnesty connection, will take up her cause.
Shooting Michael Moore
February 26, 2010Documentary: 97 minutes
Director: Kevin Leffler
I’ll admit it from the beginning. I have never trusted Michael Moore. From his very first aw-shucks days filming Roger and Me, that sly and ultimately savage depiction of corporate America, I have found his irreverent film making approach shallow and self -serving. At the time the documentary was released however, not many Americans agreed with me. Moore, as country bumpkin, cleverly springing traps for General Motors CEO Roger Smith, was regarded in many circles as the late 20th century cinematic answer to Mark Twain, skewering self-important businessmen and politicians and taking delight in exposing their foibles.
But subsequent Moore directed documentaries proved my hunch correct. Farenheit 9/11, Bowling for Columbine and Sicko, all with their trademark boffo humor, increasingly revealed Moore to be a sensationalist, generally more interested in a punchline than either truth or balance. Yet possessing a keen sense of what hot button issues and raw footage would sell popcorn, he has been able to pack them into the theaters, oblivious to the impact of his hucksterism on impressionable minds.
With all that said, I still didn’t expect Moore to be a shyster too, who, as a film maker, would prove himself blithely disinterested in the welfare of his film subjects, while in his private life conducting himself as much of a money grubbing capitalist as the Wall Street bankers, corporate raiders and conservative kingpins he so gleefully pillories in his films.
But that is the indeed the image that remains upon a vewing of college professor Kevin Leffler’s profoundly disturbing Shooting Michael Moore. Adopting Moore’s now famous technique of seeking out his prey through relentless stalking, Leffler sets out to find the “real” Michael Moore – not the baseball hat-graced figure of his numerous films, but the fat cat multi-millionaire who has left dreary Flint, Michigan far behind for a swank apartment on New York’s Upper Westside.
And he finds him alright, but not before uncovering an extraordinary trove of information that would, if publicly known and accepted, transform Moore into the great American anti-hero. For this is a Michael Moore who cheats on his taxes, maintains a non-profit organization that invests in such “malign” corporations as Exxon Mobil, Pfizer and Halliburton; whose $2 million property in Michigan is in violation of innumerable environmental ordinances; who pays the impoverished main subejects of his films (remember the “rabbit lady” from Roger and Me?) a pittance while his films rake in millions; who edits his films in such a way to take his subjects’ quotes out of context and distorts the representation of their beliefs.
No greater evidence of Moore’s fraudulent approach to film making is offered than his decision to use the British and Cuban health systems as the measure to judge the American. In Sicko, Moore takes us to the U.K. to witness the supposedly beneficent free health care system operated by the Brits’ NHS – the National Health Service. Immigrants are shown to be beaming with the good fortune of having landed in the U.K. A couple, leaving the hospital with their new born child, relate the great service they received, sharing a good laugh about how free it all is.
Leffler also travels to Britain but reveals a very different state of affairs. Over crowded hospitals and long wait lists strain the system, forcing the elderly to wait months, if not years, for scheduled operations. Pregnant women can’t find beds at local hospitals and there are reports of some delivering their children on bean bags. The NHS itself is shown to be on the verge of bankruptcy, forced to shutter innumerable hospitals in impoverished areas for lack of funding.
But Leffler reserves his greatest bile for the way Moore represents the Cuban system. Far from the utopian, patient-oriented welfare system presented in Sicko, Cuba’s universal health care service is revealed to be a cesspool of neglect and avarice, with patients in elderly hospices forced to lie on filthy cots for days in their own excrement and routine check ups impossible to schedule without the right connections. Moore, it is speculated, could not have conducted his interviews and filming in Cuba without the direct assistance of the Cuban government, who in turn, would only have given permission for the tour if it believed that the film maker’s ultimate product would prove useful as anti- American propaganda.
Ultimately, Leffler, who grew up in the same town as Moore ( Davison, MI – not Flint, MI) , went to the same school and even knew him as a child, comes to know the grown up version of his schoolmate in a more substantial way than Moore has ever known any of his subjects. Because public tax records, evidence of local citations and other written materials by Moore himself, don’t lie and cannot be manipulated, without the most grevious consequences. They all go to prove that the Michael Moore of public acclaim, is not the humanitarian and defender of the “little man” whom his admiring public thinks him to be, but an unrepentant con-artist and raconteur, who, since his earliest days, allowed his quest for for “truth and justice” to be overwhelmed by his infatuation with fame, wealth and himself.
There is an ironic injustice that with each sensationalistic documentary, bathed as they are in anti-Americanism and self -reverence, Moore gets richer and his films win more awards. But the good news is that there do exist “little men” such as Kevin Leffler who are willing to take such true fat cats to task for their hype, hypocrisy and hubris and then lacerate them with the same stinging observations that these doyens of the far left once applied to others. For anyone out there thinking of following in his footsteps, I have just two words: Al Gore.
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